Hoop / Lyra
Improver Hoop 
/ with Polina Shapkina (2025)
Skilled Hoop Lab

/ with Polina Shapkina (2026)
This class is for the spinners , for those who want to deepen their relationship with rotation and work on dancing in the hoop. Blending technique with creative aerial practice, we’ll explore spin theory, study choreography in the hoop and on the strop/ropes as well as use compositional tools to craft your own sequences.
We’ll dive into the mechanics of gravity and momentum, sustaining, and artfully releasing spins. We'll pay special attention to transitioning in and out of shapes as well as between floor and air and vice versa. Drawing from both my repertoire and your discoveries, we’ll examine how momentum can open new pathways and inform us of creative possibilities.
Through guided exploration and a cross pollinating atmosphere of shared learning we'll look at ways of not just executing choreography but injecting it with expression and our own presence and flavour. The aim is to leave with a renewed sense of connection to flow, where spin becomes not just a skill or a sequence of shapes, but a continuous, embodied dance.
Skilled/Advanced Hoop

/ with Chrissie Ardill (2026)
This class is for those who want to bring movement from floor to on, above and around the hoop and explore the possibilities of having a heavy steel dance partner.
Playing with spin and where it can take us, work on crafty, tricksy entries, alternative grips/body parts and weavy, dancey sequences that take us as far from the symmetrical as possible.
As well as taught sequences we will also focus on creatively sharing the space with the hoop and breaking our habitual pathways.
Pre-requisites: invert without spotting, pull up from dead hang, experience with hoop, willingness to let go of the damn thing sometimes, no puking. Bring socks & long sleeves.
Dynamic Hoop

/ with Jenna Ciotta (2026)
Static Hoop: Snaking, Rolling, and Dropping Like It's Hot
This course is ideal for anyone with bar experience (hoop or trapeze) who has focused on shapes and spin but has shied away from dynamic skills. We will discuss the basics of generating and utilizing momentum from a variety of positions in order to create the potential for safe, consistent release skills, and dynamic movement. We will work progressions for skills such as: elbow circles, pop to back balance, penny drops (knee beat release to standing), and more upon request and based on collective skill level. We'll also explore snaking/sneaking/rolling pathways on the hoop- pathways that encourage constant, circular movement of the body around a static hoop. Not every student will be offered the opportunity to try every skill, but everyone will walk away with a clear, progressive training path towards any of the skills we train.
In the interest of safety, you will not be allowed to participate in this course without the following prerequisites:
- feel comfortable in single knee hangs on both sides
- be able to invert under the bar multiple times in a row without tagging feet
- hang comfortably from one arm for ~10 seconds on each side
Hoop Choreo

/ with Jenna Ciotta (2026)
Often described as "snakey" Jenna's hoop choreography is actually rooted in a deep spin intolerance and high levels of motion sickness. This lab, for intermediate and advanced hoop artists, will explore "snakey" hoop movement. We'll cover various rolls and unique pathways and transitions between belly and back and top and bottom bar. Not all choreography needs to be static, but we will explore some dynamic skills integrated into choreography, and consider how to create satisfying sequences that don't rely on spin for visual interest.
Group Hoop (2 weeks – Perform July 25th)

/ with Rachel Strickland (2026)
“Taking up hoop together is good for the soul!” We will conceptualize, choreograph, and create a group hoop piece together over the two weeks to likely show on the final night. If you’ve been itching to create in a collaborative environment with other like minded hoopers, you’ve come to the right place.
While you will certainly learn from the choreographies of your peers in this class, learning tricks is not the focus of this session. Rather we’ll be exercising our muscles of creativity and collaboration, benefitting from the whole group’s brains as we create a piece of work together from the viscera of our lizard brains.
Video submissions are required for admission. Participants should be at a high level, and be comfortable with fast spins, flares, single knee hangs, and be able to do 3 pull ups from a dead hang without riding the struggle bus. This is not because I need you to do lavishly difficult choreography (I don’t), but to ensure all participants are at a similar strength level so all can operate together safely.
Note: This is not a technique class, Rachel will not be getting on a hoop. Two week class, you must attend both weeks. The group will ~probably~ perform on Saturday 25th.
NOTE: You cannot perform more than once. If you are performing in a group piece, you cannot do a solo.

If this is your first time in the air, if you don’t know a straddle from a side-pickup, then this is the level for you. All classes are tailored for those who just want to give it a go. These can also be open level classes that adapt to all skill levels.

If you have caught the flying bug but are still very much learning your trade, this is your level. Typically these classes are for those who train in aerial at least two hours per week.

This is for confident and competent aerialists who know their stuff. If you are looking to improve your technique and find your own creative voice in the air, well, you’ve found your level right here. This level might require submission of a video to demonstrate skill.

For professionals or highly skilled practitioners only. These are exclusive classes taught by internationally renowned tutors. All classes at this level may require video submissions to demonstrate skill and suitability.